Bridging Borders Silent Auction

I have donated a piece to the Bridging Borders silent auction happening at the Red Head Gallery on Thursday, November 28, from 5 - 8 PM. Bids can be made in person or online on Facebook.

All proceeds will help bring Argentinian artists to Canada in the summer of 2025 as part of an exciting artist exchange between Red Head Gallery in Toronto and Coordenadas Residencia in Buenos Aires. This cultural exchange will foster international collaboration, provide new opportunities for artists, and enrich the art scenes in both cities. I am thrilled to be one of the lucky artists bound for Argentina in 2025!

In addition to my piece, pictured here, the auction features works by Gillian IlesLois SchklarElaine WhittakerTonia Di RisioJim BourkeIan MackayTazeen QayyumSoheila EsfahaniChristine DewanckerJames FowlerGrant HeapsPearl Van-GeestLaura MillardAlexander IrvingGeoffrey CheungAmin Rehman, and many more!


How to Participate:

  • Bidding takes place online on the Red Head Gallery Facebook event page.

  • The auction runs throughout November, with the final event on November 28th during the 401 Richmond Holiday Open House.

  • View the available works on the event page, where you can place your bids directly.

  • The auction will feature 30 stunning pieces of contemporary art valued between $200-$500, with bidding starting at just $60!

  • The highest bidder for each artwork will be contacted via Facebook after the auction closes on the evening of November 28th

Dissipate 27. Pigment print on Hahnemühle museum etching paper, framed. 17 x 15 inches. 2017.

Open Studio coming: Friday, November 22 - Saturday, November 23, 2024

Open Studio

Friday, November 22, 4- 9 PM

Saturday, November 23, 10 - 4 PM

Globe Studios

141 Whitney Place, Kitchener, ON

I am opening the door of my studio for the Fall 2024 Globe Studios Fall Show. This year marks Globe Studios' 30th anniversary. I am very fortunate to have my studio alongside some great neighbours.

I’ll be showing work from my recent exhibition, Splitting Distance, alongside some older works.

If you’ve been interested in purchasing artwork, this is a great opportunity to see the work in person.

Several new artists are participating in the Open Studio this year, including Lauren Prousky, Wen Li, and Torin Langen, who are new neighbours.

If you cannot attend the open studio this weekend, please email me to schedule a studio visit in person or virtually.

Splitting Distance Opens Wednesday, October 9, 2024 at The Red Head Gallery

Splitting Distance

OCTOBER 9 - NOVEMBER 2, 2024

CLOSING reception: FRIDAY, NOVEMBER 1, 5 - 8 PM

Reading circle with the CARBON Collective: Saturday, November 2, 10:30 am - 12 noon

The Red Head Gallery

401 Richmond St West Suite 115

Toronto, ON     M5V 3A8 (map)

416-504-5654

Gallery Hours: WEDNESDAY - SATURDAY 12 - 5 PM

Red Head Gallery Website

The Red Head Gallery on Instagram


Sarah Kernohan. Splitting Distance 3. Pigment print on Hahnemüle agave paper, 69.2 x 61 cm (27.25 x 24 in), 2024. 

Splitting Distance opens at the Red Head Gallery this week.

The exhibition features a series of photographic collages that transmit icy surfaces, tumultuous waters, rocky shores, and portals. This flint originated from the shores of France or the United Kingdom and is now found in Glace Bay, whose namesake was coined by French settlers, who named the location “Baie de Glace” (Bay of Ice). The chalky surface of the flint gives way to semi-translucent surfaces with reflective flecks and shards, similar to the textures and patterns found in ice and light bouncing off of water. 

I will be at the gallery on Saturdays, October 19 and 26, from 12 to 5 PM, and there will be a closing reception on Friday, November 1, from 5 to 8 PM. 

I’m thrilled to collaborate with the CARBON Collective, who will host an informal reading and conversation about ethical ecological practices on Saturday, November 2, at 10:30 AM. The talk will be held in person and online. Learn more and register here: https://shorturl.at/QvSxf

Click here to preview the works in the exhibition and learn more about the work here.

 

Snow-blind at Gallery Stratford Opens January 11, 2024

Snow-blind

January 11 - March 31, 2024

Opening reception: Sunday, January 21, 2 - 4 PM

RSVP to attend the opening reception Here

From left to right: Sarah Kernohan, Remnants 2, 3, 4, watercolour and pastel with acrylic ground on Yupo, 26 x 20 inches, 2022. Image credit: Scott Lee

Gallery Stratford

54 Romeo St. S.

Stratford, ON

N5A 4S9 (map)

(519) 271-5271

Gallery Hours: Tuesday - Sunday 12 - 5 PM

Gallery Stratford Website

Gallery Stratford on Instagram


I'm pleased to share that my exhibition, Snow-blind, which premiered at the Red Head Gallery in February 2023, is travelling to Gallery Stratford. The exhibition runs from Thursday, January 11, through Sunday, March 31, 2024, with a public reception on Sunday, January 21, from 2 - 4 PM. 

The exhibition includes a few new drawings. It opens alongside Robert Buhr: Rural Views and ARTscreen: Farewell by Meg Dunbar. 

For more information about this series, click here.
Please join me in celebrating the opening of this exhibition in person or in spirit. Please feel free to RSVP to attend the opening reception at this link

Node at Galerie Plan.d, Düsseldorf - October 21 to November 12, 2023

Node

October 21 - November 12, 2023

Vernissage: October 21, 20h

Featuring: Jim Bourke, Tonia Di Risio, Soheila Esfahani, James Fowler, Grant Heaps, Gillian Iles, Sarah Kernohan, Ian Mackay, David McClyment, Laura Millard, Sara Mozafari-Lorestani, Tazeen Qayyum, Lois Schklar, Pearl Van Geest, and Elaine Whittaker

Sarah Kernohan, Transatlantic Flint (Glace Bay from points unknown), Pigment print on paper, 2023.

Plan.d Produzentengalerie

Doretheenstr. 59

40235 Düsseldorf

Gallery Hours

Saturday 15 - 18 h

Sunday 15 - 18 h

Finissage: November 12, 15h

The term “node” has many interpretations, ranging from math to botany, computer engineering, social media, and medical applications. At its essence are the concepts of intersection, confluence, and divergence, all eminently applicable in this cultural exchange.

Red Head and Plan.d share many similarities. Both collectives seek to provide a forum for expression outside of established commercial gallery systems. Both are situated in major urban centres rooted in contemporary Western culture- hence, intersection and confluence.

However, cultural history and immediate experience, both personal and creative, are likely to differ widely, hence divergence.

The coming together of these comparables and contrasts makes the potential of Node so exciting.

All aspects of Node, both individual works and collaborative projects, will orbit around these ideas.